This surbahar is completely made out of selected and well-seasoned tun wood. The very simple decoration and clear polish accentuates the natural wood structure and gives this sober instrument a unique touch. There are 11 taravs and 19 hand made cast bronze pardas. Scale length is 928mm and the neck is 103mm wide. The tabli’s diameter is 378mm. So, it is an overall 6% reduced in scale copy of a regular male size surbahar.

Strings mounted are :

Baj tar: steel 0,33mm (N°4)
Jora tar: bronze 0,46mm (N°26)
Laraj: bronze 0,72mm (N°22)
Kharaj: brass 0,82mm (N°21)
Pancham: steel 0,30mm (N°3)
Cikari’s & taravs: steel 0,28mm (N°2)

Doing so, the workflow is highly reduced to the making and installing of a new cikari pin which can hold 2 cikari strings & re-organising the existing cikari string positions and adding an extra cikari string slide on the jiwari. Also the original last cikari string post (high SA) has to be replaced by a new pin.

Also read: Sitar Mod: adding 4th cikari.

No new cikari kuti will be installed because of the surbahar neck construction. The imposant surbahar’s head is jointed to the neck. Therefore it is not obvious to drill an extra hole through this construction. But the solution is very simple: The first tarav kuti becomes the last cikari kuti. Since this kuti can hold every kind of string, there is no need for creating another new cikari kuti. I simply removed the first tarav string, drilled a hole in the outer kuti’s region and mounted the last cikari string to it. Optionally, later, i can always install an extra tarav kuti on the utter last position to regain the original tarav strings number.

On this instrument we have been re-directing the first (SA) cikari string under the patri. This results in an increased playing comfort concerning the Laraj Kharaj strings: no more incidental touching of the first cikari string while playing meend on the Laraj Kharaj strings.

This mod is then completed by adding an extra cikari slide on the jiwari,  re-organising the cikari slide positions on the jiwari, adding an extra cikari pin and finally installing the strings itself.

The cikaris tuning is according to the raga specifications, but combinations like f.ex. Sa Dha Pa Pa do sound very nice.

Also on this surbahar, i mounted a new Kharaj string from German’s famous string maker Pyramid Strings. It is a nickel flatwound on steel .046w (1.22mm diameter). Superb string. Unheard long and deep sustain while playing meend, unrivalled tuning-stable, very soft and warm, deep bass sound. A real joy for player and listener…

On a special demand from a young and dedicated Ashok Pathak sishya I’ve been adding an extra cikari string to his Rikhi Ram sitar in order to meet the Pathak Garana style specifications.

Here is the workflow: 1) Selecting and preparing a new kuti. 2) Marking and drilling the holes. 3) Fine tuning and fitting the new kuti. 4) Re-organising the existing cikari string positions and adding an extra cikari string slide on the jiwari.

5) Making and installing a new cikari pin which can hold 2 cikari strings. 6) Installing the string.

The general 4 cikari tuning is Pa Sa Sa Sa, but this can alter according to the raga you’ll play.

The sitar is fully decorated with a discreet hidden om sign in the upper celluloid plate design. There are 12 taravs and 21 vanadium chrome plated pardas. All 3 jiwaris are made out of stagg horn and there is one extra cikari installed. Hari Chand has been working almost one month to complete this unique and beautiful sitar. It is one of the last sitars of this kind, 100% handmade by the master himself.

Visit Hari Chand’s  shop here.