A simple solution is to convert an existing old guitar into a Sarod guitar. In other words, the best of both worlds. The idea is not new. I did it back in 2007 (read article here) but it got very quiet about that project. I don’t know why. Now there is a new attempt..:

Frederik VdB brought me his Morgan guitar on which he decided not to play anymore. One of the reasons was a solid crack in the soundboard. That had to be repaired first.

Then all the frets had to be removed and the empty slots filled with homemade wood dust paste. The surface was scraped and sanded firmly and finely. All pores were filled and it became smooth, almost like a mirror.

In place of the guitar’s E & A strings will be 2 cikari strings. These are tuned high (D4 & D5) and need a shorter scale. Therefore, by analogy with a sitar, I have integrated cikari pins on the fretboard. One at half spacing and one at 3/4th spacing. A small eye is mounted behind the pin at half distance that pulls the string down enough so that it stays well on the pin.

Because the cikari strings are always struck together, they are also shorter together. This is easy to see from the bridge. The D4 string makes a small bend. 😉

Sarod Guitar specifications & tuning chart:

Scale = 65cm

1. steel wire 0.36mm / N°5 tuned to MA (= G 3)
2. bronze wire 0.46mm / N°26 tuned to SA (= D 3)
3. bronze wire 0.75mm / N° 22 tuned to lower PA (= A 2)
4. nickel flatwound string 1,27mm / tuned to lower SA (= D 2)
5. steel wire 0.23mm / N° 0 tuned to SA (= D 4)
6. steel wire 0.21mm / N° 00 tuned to higher SA (= D 5)

Read here about another Sarod Guitar modification (2007).

I made a new set of narkas, this time from the wood of an old broomstick (aspen wood). They are done in different colours and a new SiTAR FAcToRY logo is burnt on them. My dear neighbour girl Felien Swillen is very handy with a small wood burner. She burnt the new logo into the wood with razor-sharp precision. The result is impressive.

The mouth of the narka is inlaid with recycled African buffalo leather. This way, the kuntis are not damaged. The outside is finished with shellac polish.

Read a report on making a stagghorn narka here.

Read more about the making here:
The See-Tar story
… and here:
2 more Plexitars

K&K Sound make natural-sounding acoustic amplification products and affordable pickups.

Their Pure Pickup for acoustic guitars, installed on the guitar’s bridge plate, is a very good choice for achieving a rich, natural guitar sound — even without a preamp. It’s one of the best passive pickup on the market, for the musician who wants a warm, full-range signal without worrying about cluttering up their instrument, adjusting onboard electronics, or having to remember to change the battery.

I chose the Pure 12-String: 3-head transducer for 12-string acoustic guitar. The larger pickup heads produce an extra strong bass response and pronounced midrange that sounds great in 12-string guitars. I installed it befor inside a surbahar, which sounds perfect!

The work begins by removing the tabli.
First, the celluloid decorations are removed and then the tumba is separated from the tabli.
A wooden reinforcement with a hole in it is then glued to the inside of the tumba. The jack connector is later mounted there.

Then the transducers are glued to the tabli just below where the legs of the bridge are. That is the most efficient place (according to K&K’s instructions) and it is quite convenient that there are 3 separate transducers.

Finally the jack connector is mounted and the tabli is glued back onto the tumba.
Because the original fragile decorations were damaged too much during removal, I place a new binding of celluloid plastic mother-of-pearl imitation. It fits best with the rest of the sitar’s copious decorations.

Done!

Sound samples played by Visjal Auwerx:

Play K&K transducer only

Play K&K transducer + EQ

Play K&K transducer + external mic mix

Play K&K transducer + external mic + tanpura mix

K&K transducer = Pure Pickup™ 12-String
external mic = AKG C2000B

Another very good looking but cheap and inferior sitar has been transformed into a tanpura, giving it a new life. It is an old and beautiful body with a nice and big tumba. This time I converted it into a regular 4-string female tanpura, tuned to F. The mounted string set can also reach G, but different strings are needed for higher tuning.

Sound sample: Play PA-sa-sa-SA Sitanpura in F

The scale measures 86cm & string set is
1: 0,41mm bronze string tuned to C3
2: 0,30mm steel string tuned to F3
3: 0,30mm steel string tuned to F3
4: 0,56mm bronze string tuned to F2

My friend Christine has made a beautiful cotton protective cover for this instrument. It is completely handmade and custom-made for this tanpura. Perfectly fitting and skilfully finished!

Read also Sitanpura, the Sitar Tanpura mod

They are made out of golden dragon snake Juma® blocs. Juma® – the name stands for independently developed and very modern processing material made from a mixture of various mineral base materials, bound in a resin component. Just like Elforyn® is Juma® excellently suited for the production of components and artistic objects such as knife handles, jewelry, eyeglass frames, or music instrument parts. “Produce your own custom items and delight in genuine one-of-a-kind pieces that no one else will be able to imitate.” the website says.

The material is indeed easy to work with and the result feels very natural and pleasant. The optical effect is stunning and has a nice impression of depth. It is definitely very suitable for decorations, mankas and possibly a tarav ghoraj. But I think it has too little resistance to wear to be suitable for a main ghoraj. Elforyn®, on the other hand, does well. Follow this link for Elforyn® examples.

In any case, it looks impressive on Zach’s beautiful sitar. The manka of the main string is made a little bigger than that of the other strings.

Good news for the thousands of “tourist”-grade cheap and crappy sitars, bought in India by trusting tourists eager for buying a “real” sitar as a souvenir. For many of them there is life after years of exile to the attic: the sitanpura is born!

I turned this old innocent banished beauty into a real full-fledged 5-string tanpura. And, it is also very flexible because it can be quickly converted into a regular 4-string tanpura. You only have to remove 1 string and put the remaining ones into another slot. You’re done…

Only one skill remains: jawari. Making the ghodi, installing it on the tabli, adjusting the angle and “doing jawari”. But also this can be learned by doing… with patience and persistance…

Sound sample: Play PA-ni-sa-sa-SA Sitanpura

The string set is
1: 0,56mm bronze string tuned to G#2
2: 0,41mm bronze string tuned to C3
3: 0,41mm bronze string tuned to C#3
4: 0,41mm bronze string tuned to C#3
5: 0,76mm brass wound string tuned to C#2

Comes with a solid AUER CP 12416 Protective case Pro with locks & wheels in beautiful “blutorange” (vermilion) color.

Sound sample:
Play SBS-02 & SH101

You hear SBS-02 thru an Orange CRUSH20 distorted amp accompanied by a Roland SH101 synth in a random modulation (complex tanpura) mode …

Note: May not be entirely suitable for pure ICM… 😉

CURRENTLY ONE FOR SALE @ SITAR FACTORY SHOP

1. Kartar Chand RS style 1980 Tun wood

2. Naskar RS style Teak wood

3. Hari Chand RS style 2005 Tun wood

4. Rikhi Ram VK style 1970 Tun wood

More tablis can be found on the Tabli Info page (click here).