Eventually even the restoration of an anonymous tanpura gets finished…
Sound sample: Listen how it sounds !!
Eventually even the restoration of an anonymous tanpura gets finished…
Sound sample: Listen how it sounds !!
Here’s the renewed fretless fingerboard.
The first step was to pull out the frets. This precise job was securely done by my colleague Frans Ieven. Many thanks to him !!!
Then I filled up the gaps with some plain veneer.
The new fretless surface, after sanding and some layers of danish oil, can be seen in front of Lord Buddha.
Then follows the mounting of the cikari strings.
Since the high pitched cikari string needs to be only half the overall length, a mini cikari pin is mounted on the fingerboard at the 12th fret, followed by a cikari ring slot. All are made of bone.
The low pitch cikari pin is located at the 2nd fret position. Both cikari strings are close to each other.
Finally, here’s this sarod-guitar’s strings & tuning chart:
1. steel wire 0.23mm / N°0 tuned to MA (= F# 3)
2. steel wire 0.28mm / N°2 tuned to SA (= C# 3)
3. bronze wire 0.37mm / N° 28 tuned to lower PA (= G# 2)
4. bronze wire 0.46mm / N° 26 tuned to lower SA (= C# 2)
5. steel wire 0.23mm / N° 0 tuned to SA (= C# 4)
6. steel wire 0.20mm / N° 00 tuned to higher SA (= C# 5)
Now I’m waiting for Nik to come and play this new instrument…
Some time ago Nik G. asked me to modify this Simon & Patrick guitar into a sarod…
but first a little damage had to be repaired…
I noticed that also the bracing became loose from the soundboard. Since I couldn’t find any long clamp, I had to do it like this :
After that, a nice triangled puzzle started.
The inner triangle contains the original piece of soundboard wood.
Now the triangles fit properly and after some sanding the finishing polish is applied.
Unfortunately, some decolouration appeared. I guess the sun needs also some job to do…?
Day 30: Modelling the first soundboard. This is the result, after a first rough cutting and sanding session.
Day 26: Finishing the joint, making it equal to the height of the body sides and inserting an acoustic pipe between the neck and the soundbody.
Day 23 & 24 : Worked 2 days to make the joints fit perfectly. A very precise job.
Talking about a joint here means the connection between two different wooden parts of the instrument: the neck and the body. It is a very important item covering strenght and stability. The body is tilted 4° backwards and 2° downwards according to the neck’s axis. This doesn’t make it more easy.
There was the start of a new creation, exactly 1 year ago…
The flower sitar in the hands of its proudly owner, Thierry.
The sitar is ready but it’s not really sufficiently solid to actually play it. Too bad…